Tuesday, March 19, 2024

Kore-eda Hirokazu delivers ‘Monster’ and more to The Brattle; ‘Jaws’ swallows New Hollywood

‘Love Lies Bleeding’: Noir goes to the gym, coming out taut and sweaty (with big hair)

Use Oscars time on winners by Columbia Studios, catching ‘The Getaway’ and ‘Not a Pretty Picture’

Harvard Hasty Pudding show ‘Heist, Heist, Baby!’ is satirical, funny and an all-around good time 

‘Dune: Part Two’: Feudalism and colonialism vie with the giant sandworm for best space monster

Don’t miss the surprising ‘Hundreds of Beavers’ or Oscar-nominated ‘Perfect Days,’ ‘Daughters’

Five Somerville celebrities from the White House to the big screen and across the restaurant scene

‘Becoming a Man’ review: A moving, inspiring trans narrative that hears the audience in Act II

Cinema celebrates cinema in ‘Pictures of Ghosts,’ free ‘Spaceman’ and ‘Silent Running’ tops the bill

‘The Manic Monologues’: Leave feeling better from intense, optimistic show on mental health