Mark Wahlberg’s true-life boxer-to-preacher tale “Father Stu” may be about faith, but you don’t need to be of faith to appreciate the trials and tragedies endured by a man who has persevered against all odds. 

These looks at what’s on screens in the coming week include some more LGBTQ+ Film Festival selections, repertory hits, must-sees such as the revolutionary Ukrainian “Maidan” documentary at the Harvard Film Archive and reviews of “All the Old Knives,” “Death on the Nile” and more.

These looks at what’s on screens in the coming week include some LGBTQ+ Film Festival selections and reviews of releases including Marvel’s “Morbius,” the Covid-infected “The Bubble,” and watch-worthy streamers “Beneath the Banyan Tree” and “Apollo 10½: A Space Age Childhood” from Richard Linklater.

Dan Kwan and Daniel Scheinert’s “Everything Everywhere All at Once” is an absurdist multiverse overload, but the directors are bummed when science fiction is just a plot point that doesn’t ask big questions – such as “How do you find each other and truly see each other, when there’s so many things trying to pull us away from each other?”

Bring tissues and prepare for side-splitting laughter as Michelle Yeoh, the queen of martial arts, takes center stage to model mending broken souls and relationships – and saving the world – in “Everything Everywhere All At Once.”

These looks at what’s on the big screen in the coming week include Brattle programs such as “From Hollywood with Love” and “The Roots of ‘Mulholland Drive’”; works at the Harvard Film Archive and Somerville Theatre; reviews of “Infinite Storm,” “Master” and “Turning Red,” among others; and a quick run-down of top Oscar nominees.

“The Lost City” has plenty of chemistry between its leads, cheeky supporting cast and deft plot twists, even if it all runs out before the end.

These looks at what’s on the big screen in the coming week include are from Belmont World Film, the Boston Underground Film Festival, The DocYard and Harvard Film Archive, as well as more from The Brattle and Somerville Theatre, as well as the fun “Ghost Light” and Amy Poehler’s “Lucy and Desi’ documentary.

A bunch of young adult filmmakers in 1979, seeing the lucrative advent of the home video porn market on the horizon, rent a ramshackle lodge to make their own porn opus, “The Farmer’s Daughters.” The problem is the lodge’s owners: a farmer and his wife.

At first glance, this film could be mistaken for an extended episode from “Boardwalk Empire” or a prequel to the “John Wick” franchise – with all the action unfolding in a Chicago tailor shop stuck in the crosshairs of a gang war.