These reviews of what’s on the big screen and streaming include the final offerings at the Independent Film Festival Boston, including Mike Mills’ “C’mon C’mon”; a Halloweenish series of “folk horror” films at The Brattle; and a look at whether the new “Dune: Part One” is worth your 155 minutes.

Fans of Wes Anderson, cinema’s official maestro of all things quirky and twee, may be in for a bit of a letdown with this loving smooch to “The New Yorker” and other intellectually curious magazines of the latter half of the 20th century – i.e., “The Paris Review.”

These reviews of what’s on the big screen and streaming include offerings from the Independent Film Festival Boston, GlobeDocs, The DocYard and Revolutions Per Minute, as well as glimpses at “Escape From Mogadishu,” “Halloween Kills,” “Fever Dream” and “The Velvet Underground.”

These reviews of what’s on the big screen and streaming include GlobeDocs Film Festival offerings at The Brattle Theatre such as “Who We Are: A Chronicle of Racism in America” and “Free Renty: Lanier v Harvard,” as well as some horror for October and “Jacinta,” watchable on Hulu.

The Boston Women’s Film Festival reminds us about “Fanny: The Right to Rock” at The Brattle, and with October comes the return of the Somerville Theatre, Harvard Film Archive and fun scares such as from “The Addams Family 2,” a Boris Karloff bio and “Venom: Let there Be Carnage.”

There’s so much you want to love in “No Time to Die,” and the film does have its sizzle and verve. But the fifth and final Bond for Daniel Craig clocks in at 2 hours, 43 minutes, and it’s a slog.

“Sopranos” creator David Chase’s deep sense of place and roots and attention to historical detail, along with a battery of brilliant performances, make “The Many Saints of Newark” a winning flashback to the series.

These reviews of what’s on the big screen and streaming include doings at The Brattle Theatre, including documentary picks from local John Gianvito and two days of silent greats, as well as a sense of what’s watchable among Jake Gyllenhaal’s “The Guilty,” the sexy “Voyeurs” and “Seeding Change.”

These reviews of what’s on the big screen and streaming include doings at The Brattle Theatre, including the “Fictions of Werner Herzog” and “African-American Neo-Noir” programs and takes on “My Name Is Pauli Murray,” “The Eyes of Tammy Faye,” “The Starling” and much more.

For a concept that’s taken almost 50 years to land on the big screen after a swirl of iterations with big names including Arnold Schwarzenegger and Pierce Brosnan attached, Clint Eastwood’s “Cry Macho” is likely to register as a disappointment for most.