‘Cruella’: Villain’s high-fashion origin story proves character isn’t all black-and-white

Coronavirus edition 64: Brattle reopens in July, but until then there’s a streaming ‘New Order’

Coronavirus edition 63: ‘Killing of Two Lovers’ stands out among releases; ‘Touch’ a fine debut

‘Army of the Dead’: We’re off to a Las Vegas heist, but technically it’s impossible to make a killing

Comparing cultures in her doc ‘Weed & Wine,’ Cambridgeport’s Cohen found the relationship

Coronavirus edition 62: Musically inclined IFFB, political ‘Human Factor’ and ‘Stowaway’ in space

‘Gunda’: Intimate portrait of a pig on a farm, lingering images you’ll never want to leave

‘Wrath of Man’: Ritchie and Statham reunited, heist with their own petard and angry about it

Coronavirus edition 61: ‘Collision Shop’ at MIT and festival bill led off by ‘Summer of Soul’ doc

‘Limbo’: Waiting for their new lives to start, immigrants to a land drenched in the droll