This coronavirus edition of movies to shelter with includes a bunch from this year’s (virtual) Boston Science-Fiction Film Festival; “Edo Avant-Garde” at the Harvard Art Museums, three intriguing selections from The Brattle and a look back at Christopher Plummer and Hal Holbrook.

“Malcom & Marie” doesn’t really move the conversation on race, relations or art. It’s two great performances on an alluring stage, but nothing feels truly at risk and nothing life-altering is revealed.

Mike Cahill, the somber indie voice behind “Another Earth” (2011) where alternate realities coincided, overlapped and collided, retools the concept here with a bigger palette and broader ambition.

This coronavirus edition of movies to shelter with includes a range of works to help see in Black History Month, as well as virtual cinema from around the world at The Brattle; “Fall of the House of Usher” from the Boston Lyric Opera; and new fare from “Palmer” to “The Dig.”

There’s no denying the potent emotion of this story about the aftermath of an adoption that asks what it means to be a parent. 

Director John Lee Hancock has been wanting to make “The Little Things” since the early ’90s, and it takes place in a blood-drenched L.A. around the time Hancock wrote it – well before cellphones, social media and reliable and readily available DNA testing.

This coronavirus edition of movies to shelter with includes the documentary “MLK/FBI,” the Bruce Lee classic “Enter the Dragon,” some thrillers, the wild “Spoor,” coming to The Brattle, and two films that explore the border between violence and compassion.

A driver to the wealthy initially seems happy in the coddled confines of a New Delhi luxury high-rise, yet there is something darker and deeper lurking at the corners of the drama about haves and have nots, like a stalking tiger biding its time in the underbrush.

This coronavirus edition of movies to shelter with includes some highlights of the art streaming at the “Brattlelite,” the antihero classic “Cool Hand Luke” and a bunch of others, including a Liam Neeson misfire, a pretty weepie and some sci-fi curiosities.

On-the-job training for a drone pilot thrust into hand-to-hand warfare at times calls to mind the hazing Denzel Washington laid down on Ethan Hawke in “Training Day” – except that the lone wolf special op played by Anthony Mackie isn’t human.