The Landmark Kendall Square Cinema entices people back to the big screen with a week of discounts, The Brattle prepares to enlarge everything you streamed at home in 2020 and new releases arrive for review: “Too Late,” “The Hitman’s Wife’s Bodyguard” and “12 Mighty Orphans.”

“Luca” is Pixar at its most delicate, an immaculately structured story that might not be the grandest the studio has released, but is one of the most honest. There’s a humanism between the moments of humor and fantasy that anchors the film and makes it a must-watch, and not just for Pixar fans.

Anticipating the Emancipation Day celebration, consider an odd turn of history in “Free State of Jones.” Things get even more real with a documentary about the moving image, police body cams and image as evidence and a postal pondering, and there are some blood-pumping genre pieces to see too.

Before there was “Hamilton,” the hottest ticket on Broadway, there was this Lin Manuel Miranda and Quiara Alegría Hudes musical about a hot summer in Washington Heights, where music and dreams drive the pulse of a multifaceted Latinx community.

With most area cinemas open, here’s news about Apple Cinemas and the Somerville Theatre, as well as what to watch during this Pride Month and a look at two new flicks: The somewhat true “Edge of the World” and a “Conjuring” horror sequel with a love story you may not believe.

This potentially final take on pandemic-era cinema includes a look at theater reopenings in Cambridge and Somerville, Memorial Day viewing and a couple of new streaming options: George Romero’s long-missing “The Amusement Park” and the mysterious drama “My True Fairytale.”

This “Part II” is just as taut and lean as its predecessor, covering a lot of ground in 90-plus minutes by following multiple threads and making some nice new additions in Cillian Murphy and Djimon Hounsou.

The backstory on Cruella de Vil, the villainess so indelible in Disney’s 60-year-old “One Hundred and One Dalmatians” franchise, is a dark one, but with high-end style, a banging soundtrack and a kitschy snazziness of caricature from Emma Stone and Emma Thompson.

This coronavirus edition of movies to shelter with includes Michel Franco’s dystopian “New Order” and newer fare such as “Those Who Want Me Dead,” but the real news is that the waning of the coronavirus pandemic is bringing The Brattle Theater back to life.

There’s film ahead! This coronavirus edition of movies to shelter with includes Robert Machoian’s taut portrait of an unconventional marriage, “The Killing of Two Lovers”; another love triangle in “Touch”; and less memorable screenings of Netflix’s “Oxygen” and “Woman in the Window.”