Posted inPerforming Arts Director Pascale Florestal wants Black audiences at her expectation-challenging ‘Next to Normal’ by Madeleine AitkenSaturday, May 25, 2024Sunday, May 26, 2024
Posted inPerforming Arts Cambridge ‘Gatsby’ adaptation gets extended run to explore Fitzgerald’s American Dream tragedy by Madeleine AitkenThursday, May 16, 2024Friday, May 17, 2024
Posted inPerforming Arts ‘Mermaid Hour’ review: Trans narrative on stage is well-intentioned, but it doesn’t quite deliver by Madeleine AitkenMonday, April 29, 2024
Posted inPerforming Arts Joyous play about parenting a trans tween, ‘Mermaid Hour,’ near at Arrow Street Arts by Madeleine AitkenFriday, April 19, 2024Friday, April 19, 2024
Posted inPerforming Arts ‘Beyond Words’: A surprisingly touching story about a researcher and her very smart parrot by Madeleine AitkenMonday, March 25, 2024Tuesday, March 26, 2024
Posted inPerforming Arts ‘Beyond Words’ at the Central Square Theatre dramatizes Harvard science that caused a flap by Madeleine AitkenFriday, March 8, 2024
Posted inPerforming Arts Harvard Hasty Pudding show ‘Heist, Heist, Baby!’ is satirical, funny and an all-around good time by Madeleine AitkenFriday, March 1, 2024
Posted inPerforming Arts ‘My Mother Had Two Faces’ solo performance looks behind a generational mask of perfection by Madeleine AitkenSaturday, February 24, 2024
Posted inPerforming Arts ‘Becoming a Man’ review: A moving, inspiring trans narrative that hears the audience in Act II by Madeleine AitkenFriday, February 23, 2024Monday, February 26, 2024
Posted inPerforming Arts ‘The Manic Monologues’: Leave feeling better from intense, optimistic show on mental health by Madeleine AitkenMonday, February 19, 2024Monday, February 19, 2024
