Posted inPerforming Arts ‘Emma’ is deliciously incisive, ingenious and impudent by Shelley A. SackettTuesday, November 26, 2024Tuesday, November 26, 2024
Posted inPerforming Arts ‘Galileo’s Daughter’ review: An off-kilter, misguided telling by Central Square Theater by Madeleine AitkenThursday, November 21, 2024Tuesday, November 26, 2024
Posted inPerforming Arts Expect the unexpected at ‘Drowsy Chaperone,’ unless you expect another virtuoso CRLS show by Danielle HoweWednesday, November 20, 2024Wednesday, November 20, 2024
Posted inPerforming Arts Native director Tara Moses’ ‘Thanksgiving Play’ delivers the casting called for by the playwright by Madeleine AitkenMonday, November 11, 2024
Posted inPerforming Arts Three originals and a revival of ‘Passing Strange’ round out a season about human nature at A.R.T. by Madeleine AitkenFriday, October 11, 2024
Posted inPerforming Arts ‘Dirty Rotten Scoundrels’ review: Moonbox brings larger-than-life humor to the Riviera by Madeleine AitkenSaturday, October 5, 2024
Posted inPerforming Arts ‘The Hound of the Baskervilles’ starts season with a comedic bang at Central Square Theater by Mike HobanFriday, September 20, 2024
Posted inPerforming Arts Moonbox Productions opens its first full season at Arrow Street with ‘Dirty Rotten Scoundrels’ by Madeleine AitkenFriday, September 13, 2024
Posted inPerforming Arts ‘Romeo and Juliet’ review: A.R.T. changes little from the classic tale but makes you feel the love by Madeleine AitkenFriday, September 13, 2024Wednesday, September 18, 2024
Posted inPerforming Arts In A.R.T.’s contemporary ‘Romeo and Juliet,’ audiences will see what warring families can’t by Madeleine AitkenWednesday, August 28, 2024Thursday, August 29, 2024
