These looks at what’s on screens in the coming week include film festival screenings, Halloween repertory fare such as “Return of the Living Dead” and new works such as “Slash/Back” with its kid-friendly scares, the brutal “Athena,” “Luckiest Girl Alive,” “Triangle of Sadness,” “Stars at Noon,” “All Quiet on the Western Front” and more.

These looks at what’s on screens in the coming week include tributes to Ruby Dee, Jean-Luc Godard and Tsai Ming-liang, but also seasonal screamers from Hitchcock and Tony Scott. The GlobeDocs Film Festival is back at The Brattle with works such as “Louis Armstrong’s Black & Blues” and redemption via ocelot in “Wildcat.”

These looks at what’s on screens in the coming week include Wes Craven’s devilish and witty “Scream” the Landmark Kendall Square Cinema’s replay of “The Lost Boys” and the new “Smile.” Less scarily, there’s the gay rom-com “Bros” and Martha Coolidge’s romantic “I’ll Find You.”

These looks at what’s on screens in the coming week include three for Silent Film Day, the works of Tsai Ming-liang at the Harvard Film Archive and new releases such as “Catherine Called Birdy,” “The Greatest Beer Run Ever,” “Don’t Worry Darling,” “Goodnight Mommy” and the superior “God’s Country” and Sidney Poitier documentary, “Sidney.”

These looks at what’s on screens in the coming week include a slew of repertory screenings from “The Breakfast Club” to “Naked” and “Keane,” as well as reviews of new fare: “Samaritan,” “See How They Run,” “Pearl” and the action-horror hybrid “Saloum” at The Brattle.

These looks at what’s on screens in the coming week include the new “Pinocchio” and much more interesting repertory fare, including “Cemetery of Splendor” by Thai filmmaker Apichatpong Weerasethakul and plenty of Mike Leigh; more Abbas Kiarostami; “Screens for Teens” from the Harvard Art Museums; and more.

These looks at what’s on screens in the coming week include premieres of Alli Haapasalo’s “Girl Picture” and Mark Cousins’ “The Story of Film: A New Generation” (with screenings of the works within it); looks at the foundational works of Abbas Kiarostami; “Apocalypse Now: Final Cut” in a 4K restoration; and “National Lampoon’s Animal House.”

These looks at what’s on screens in the coming week include repertory films including “Refer Madness” from 1936, Hitchcock’s “Vertigo” and Robert Altman’s “Nashville,” as well as the comedy “Me Time” on Netflix, “Funny Pages” and “The Good Boss.”

These looks at what’s on screens in the coming week include repertory films such as “Grease” in honor of Olivia Newton-John, every George Miller “Mad Max” film, classics “Dirty Dancing” and “Now and Then” – and two new works: the Lovecraftian horror-comedy “Glorious” and our mane feature, “Beast.”

These looks at what’s on screens in the coming week include repertory films such as “Identikit,” “The Birds,” ““The Night of the Living Dead,” “The Texas Chain Saw Massacre” and John Carpenter’s deft remake of “The Thing,” as well as the new vampire-hunting “Day Shift” and acrophobia-inducing “Fall.”