These looks at what’s on screens in the coming week include a series that’ll take you from “Jaws” to “Infinity Pool” and make you yearn for a staycation; a Christopher Nolan epic; more Ozu Yasujiro; and a review of Julie Cohen’s “Every Body” documentary.

These looks at what’s on screens in the coming week include retrospectives for composer Ryuichi Sakamoto and director Ozu Yasujiro, works with Harrison Ford and by Christopher Nolan and “Doc West Moves” at the Roxbury International Film Festival.

No car, no house, no cash, what’s a youngish single woman to do? Plan B for Jennifer Lawrence’s character comes in the form of a Craigslist ad from a wealthy couple who want to help instill confidence in their son.

The multilevel balancing act of “Asteroid City”  folds back in on itself as a movie within a play within a television show, but the feelings are real.

These looks at what’s on screens in the coming week include new restorations of “Drylongso” and “Party Girl,” a visit from the maker of the New Orleans-focused “City of a Million Dreams” and a review of the hilarious new “The Blackening.”

Time rewinds too many times in this “Flash,” and in the end, feels pointless. At nearly two and a half hours, a film with a speedy protagonist should feel faster.

LGBTQ+ stories are important to celebrate year-round. But Pride Month – especially this one – makes for a good time to shine a light on these stories, new and old.

These looks at what’s on screens in the coming week include repertory fare such as Jules Dassin’s “The Naked City” noir and John Waters’ “Polyester” camp and reviews of the new “Spider-Man: Across the Spider-Verse” and “Unwelcome.”

“Past Lives” is filled with soulful, bone-aching scenes serving as reminders that life we can determine our own lives without leaving another person’s heart.

Director Celine Song’s debut film is a romance of a kind inspired by a moment from her own life, overturning what audiences expect from a love triangle.