These reviews of what’s in theaters and streaming include Brattle rewinds of “Dick Johnson is Dead,” “Black Bear” and “The Sound of Metal” as well as stuff new to screen, even if it’s “Old” (by M. Night Shymalan).

A life science developer paid $130 million for One Canal Park in East Cambridge, up from its $72 million value five years ago, while construction continues on 1,038 more residential units for Cambridge and a seller makes around $56.4 million on two properties.

“Snake Eyes” prioritizes atmosphere and a general “vibe” over trusting the action set pieces that should provide its thrills. The end result hardly justifies the film’s existence, aside from allowing some actors a moment to shine.

These reviews of what’s in theaters and streaming now include “Shirley” and more back at The Brattle; Nicolas Cage in “Pig” and the films “Gunpowder Milkshake,” “Space Jam: A New Legacy” and the harrowing “Caged.”

Carlos López Estrada’s love letter to Los Angeles interweaves the work of 27 young poets whose paths intersect on a summer day in 2019, reimagining and subverting the musical genre with multiple lyricists, diegetic music and unfamiliar actors.

Documentary director Morgan Neville employs a tight fist in curating who chimes in with reflections on Bourdain, skipping both first wife Nancy Putkoski despite a 20-year marriage and Asia Argento, the cook’s paramour in his final years – the Courtney to his Kurt, if you will.

Finally the “Black Widow” backstory drops after long being held back because of Covid. It could be subtitled “Family Business,” as Black Widow Natasha Romanoff, played for a final time by Scarlett Johansson, has a whole family of super spies with super abilities.

These reviews of what’s in theaters and streaming now look at Steven Soderbergh’s HBO Max neo-noir “No Sudden Move,” a weak “Tomorrow War” and “Boss Baby” and a raft of intriguing pop culture documentaries on Lydia Lunch, Truman Capote and Tennessee Williams, and more

Well, here we are, people, the first movie adapted from a tweetstorm – the notorious story of “Zola,” a 19-year-old Detroit exotic dancer chronicling a 2015 shitshow of a road trip to Florida.

Reaching for new highs, the stunts and FX of “F9: The Fast Saga” often lurch into hyperbole. But not taking itself too seriously is one of the charms of this racing-heist hybrid’s latest installment.