Posted inFilm Ahead In repertory, ‘Reefer Madness’ is at The Brattle; ‘Good Boss,’ ‘Funny Pages,’ ‘Me Time’ reviews by Tom Meek and Federico MuchnikSunday, August 28, 2022Sunday, August 28, 2022
Posted inFilm ‘Three Thousand Years of Longing’: Spectacle with an unfulfilled wish for narrative harmony by Tom MeekThursday, August 25, 2022Thursday, August 25, 2022
Posted inFilm Ahead In repertory, Newton-John luminous in ‘Grease,’ every Mad Max; reviews of ‘Glorious’ and ‘Beast’ by Tom MeekSunday, August 21, 2022
Posted inFilm Ahead In repertory, Liz Taylor’s ‘Identikit’ reemerges, classic horror; Reviews of ‘Day Shift’ and ‘Fall’ by Tom MeekSunday, August 14, 2022Tuesday, January 9, 2024
Posted inFilm ‘Emily the Criminal’: Student debt made her do it by Tom MeekFriday, August 12, 2022Friday, August 12, 2022
Posted inCelebrations This year’s Honk! fest is back to a full weekend and striving to recapture some pre-Covid feel by Marc LevyThursday, August 11, 2022
Posted inFilm Ahead In repertory, odd ‘El Topo’ is back at The Brattle; Reviews of ‘Resurrection’ and ‘Take the Night’ by Tom MeekSunday, August 7, 2022Tuesday, January 9, 2024
Posted inFilm ‘Thirteen Lives’: 2018 cave rescue in Thailand gets straightforward, inspiring dramatization by Federico MuchnikThursday, August 4, 2022Thursday, August 4, 2022
Posted inFilm Ahead As a ‘Predator’ pre-prequel, ‘Prey’ leads pack; ‘Lost Highway’ is a rep gem, and Hitch is back by Tom Meek and Sarah G. VincentSunday, July 31, 2022Thursday, November 6, 2025
Posted inFilm Director Sara Dosa on fatally hot ‘Fire of Love,’ finding romance among exploding volcanoes by Allyson JohnsonThursday, July 28, 2022Thursday, July 28, 2022